On a crisp day in November 1910, a crowd gathered in the small town of Bury St Edmunds to witness the unveiling of a new public momument. Dressed in the day's finery, men, women and children waited for a glimpse of the bronze and marble statue by sculptor Ernest Gillick, commemorating the life of locally-born author Marie Louise de la Ramee, who wrote under the pseudonym Ouida.
The photograph provides a rare insight into public arts practices and partonage in the early 20th century Britain, and are part of a collection of papers belonging to sculptors Ernest and Mary Gillick, donated to Leeds Museums & Galleries, deposited in the Henry Moore Institute Archive, in 2005. I found these during my internship with Leeds Museums & Galleries, working through and listing the extensive archive of drawings, letters, diaries, photographs and research papers.
Born in Bradford in 1874, Ernest Gillick attended the Nottingham School of Art from 1896-1899, where his talents won him several gold medal awards. In 1901, The Royal College of Art Awarded Gillick a National Travelling Studentship and he spent a year studying the architecture and sculpture of Italy. He was elected Associate of the Royal College of Art in 1904.
Misty Ericson, intern, December 2010
Thursday 16 December 2010
Unveiling Ouida: A Glimpse of Public Sculpture in the Early 20th Century
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